Mismatch

"Hide your wives and daughter; hide the groceries too.
The great nations of Europe comin through."

The irony in this phrase is that the singer expresses Europe as "great nations" but such nations of glory are also cautioned. Nations of such wealth were still stealing, and still raping. The irony is that Europe is supposedly more civilized but the fact that less civilized persons have to hide their families and their groceries are the satire imposed. 

"There's pictures in a museum, some lines written in a book
but you won't find a live one, no matter where you look."

There is no irony present in this part of the song. The author wants to exaggerate the fact that the conquerors write history. He wants to mention the forgotten memories and cultures of the indigenous personnel, especially by mentioning that even the birds were extinct. 

"Church told him were gay,
soooooooooooooo
he had them torn apart by dogs on religious grounds they say
the great nations of Europe were quite holy in their way."

The irony here is that the church should symbolize an authority, but an authority of good, an insituticon to spread the word of god. The complete opposite is mentioned in the song, an insituiotion that compels their "loyal disciples" to spread the word of god by killing and discriminating. The exact opposite of the word of god. "The holy way" of Europe is in fact not holy, its the complete opposite of holiness. 

Bromden to Chief Bromden

 Cagey. Foggy. Secluded. Futile. Are the adjectives that symbolized Bromden. Words that provoked:  uncertainty, misery, and the complete illustration of an unrecoverable human being. But with Mcmurphy´s "fox ability to make a quick dollar..." Change becomes a daily factor in Chief´s life.

Chief Bromden throughout the beginning of the novel is depicted as the insane of the insane. He hides from his fears, he lets the tyranny and medications get the better of him. The fact that he poses to be deaf and dumb, signifies the lack of will, not only on behalf's of the Chief: but on behalf of the whole ward to dignify themselves against Miss Ratched´s treatment. Not even Cheswick and Harding started talking the talk until Mack came into the picture. In addition, not even the information he narrated was reliable at the beginning, but once Mack starts getting momentum on his "revolution", the clarity of Chief´s ideas become evident.

Once Chief reveals desire, change is evident. The Chief discloses his hunger to go on the fishing trip(179), he finally shows the reader that he has emotion, that really has some sort of pursuit: a goal. Even though he ends up not signing himself up that day due to his fear of unmasking his "deafness", the reader connects with Chief. But as Macmurphy states several times in the novel, paraphrasing: "power is not present without laughter." The word laughter symbolizes an emotion, something that is close to impossible to portray without words. The most essential change that needed to happen to chief was to speak, to finally engage in a conversation where he conveys his thoughts, his beliefs. On page 186, after giving in to Macmurphy comedy. Besides talking, he finds himself on the verge of laughing, the key to power. One shouldn't take the fact that Chief talks as the most important but the fact that the Chief laughs, he finds something funny, almost as though he finds a sense to life.

The reader then starts to see a pattern, when everybody laughs, they're invincible, such as the parts in the gasoline station, the fishing trip. The laughter gives a sense happiness, a sense that produces power. But at this height of the novel, Chief has changed indeed but hasn't acted alone. He hasn't had the drive to act on his own drive. Not until he finds himself being taken advantage of by Mack, he then does something that had never happened before: he acts on his own anger. He stomps off to be alone, he cries, thus showing that Chief can lift the panel, expressing colossal strength, but his tears show expression. Both attributes are used by Kesey to construct the image of the new Chief, a normal human being.

The Chief finally reaches the peak of his evolution with the suffocation of Mack and his escape.(281) He acts on his criteria, on his beliefs, and on his experience to dignify Mack. He suffocates him creating a Hero, and a villain out of Big Nurse. He then escapes, not like Mack was going to escape, he escapes with a plan in mind, he foresees his future and embraces the present.

Confident. Free. Ambitious. Happy.

"Intimidation"

The Big Nurse, is not: your typical soccer mom. Expressed as villain, but seen as a saint by many, Miss Ratched Always gets her way. An authoritarian. Repressive. Undemocratic. Are the perfect parallels to Miss Ratched´s depiction. A woman who has a deeper voice than men. 

"Intimidation" is a word that is used frequently by Chief Bromden. A word that besides existing in the text: it has a deep connotation throughout Miss Ratched´s confrontations. Intimidation is a word that helps the reader visualize what is thought by the characters in the ward. "Just sitting....smiling...she has taken control...making everyone aware she is the force to be dealt with."(133) In a room full of men, such confidence, such finesse, is what turns the tables to Miss Ratched´s favor. Carrying herself as something better, more elegant and smarter: is what separates the woman from the "boys." Using the term "boys" to represent the male staff underlines the colossal figure that Miss Ratched consists of. 

A mother figure. A woman who calls the her superiors out: "You are very-very wrong." Iron-will is the engine. An engine that feeds on "patience-years," fear, and confidence. A stubbornness that "acted like confidence...that worried."(137) The words are hypnotizing, and with absolute composure, even the manipulators are put to sleep: "...only way to lift his commitment is by acting like she wants..."(150) Even McMurphy seems to fall under such intimation exercised by the Big Nurse.

"She couldn't be wearing lipstick," and failing to "conceal her big old breasts" symbolize that such "outsized badges of femininity" are a not an expression of hard effort into intimidation. Such natural aspects on the physical side, complements the simplicity of intimidation coming naturally to the Big Nurse. 

Curable?

1960s. Sex. Drugs. And more drugs. One Flew Over the Cuckoo´s Nest is in fact a prettycuckoo novel. In an age of counterculture, Ken Kesey, writes on the definition of what is truly insane. The fog represents the "combine", the system, that seems to be the oppressive power. But due to the fact that the Chief is in a mental hosiptal: the reader is left questioning whether the fog symbolizes the insanity of the Chief or insane techniques of the combine.

Jimi Hendrix at Woodstock (1969)

Granted, I am no doctor. I seem to think that the tactics used by Nurse Ratched are the truly insane characteristics of this mental institute. The fog that is endured by Chief Bromden is not shaving cream covering his eyes, its the electroshocks that have placed him in a constant mind of hallucinations: A Chronic. The way this mental institute is handled is insane: the point of sending a supposedly insane person to a mental institute is to help cure this physiological disorder. The exact opposite is occurring under Miss Ratched´s perfect planning. She creates the fog.  She creates the fear. She makes the patients develop strategies like Chief´s to survive. This totalitarian and oppressive system creates an absurd scenario: it creates insanity. Kesey ridicules the insanity of society, he indicates the true problems are created by ones "up-top."
The fog, Chief sees, is the perfect example of the paranoia that is lived in the confinement under Miss Ratched and The Blacks. Chief panics to the idea of not being in control, of knowing that not even by acting deaf will he evade the idea of being in another person´s hands. The symbolism of being incapable to see ¨six inches in front¨ is the terror and anxiety caused by being touched by the hands that will make you a vegetable. Slowly yet surely, discretely yet swift, Miss Ratched, creates a fog in each of her victims.  (victim is a far better word than patient maybe puppet could qualify.) Miss Ratched is fog. Fog is fear. Fear becomes insanity.

Distortion

Well-acted yet weird, different but clear, the movie presents a different feelings as to the original play. While reading WFD, I felt no significant emotion coming from the characters: no clarity as to what was really going on in the characters´ minds. The monotonous tone produced an extreme level of boredom, as to which impaired the act of actually being able to analyze the character´s thought. 

But in the movie, this impairment of not begin able to "read" the character is nonexistent. The movie expresses the characters in an obvious matter: a way in which the viewer can interpret what the actor feels. This ability of knowing exactly what the character is trying to say, or more importantly what the character feels, conveys a varying perception to the viewer. The act of questioning is extinct, the director eliminates any doubt, and expresses  his perspective on how he questioned and analyzed the play. While reading Lucky´s speech, I pictured a man, a man with deep thought, surprisingly intellectual with his long redaction of speech, an overall philosophical man is conveyed. I interpreted Lucky for the first time as a man of wisdom. But the same speech in the movie, is not the same character that I interpreted. The director transforms Lucky into a schizophrenic-like figure, a possessed man, speaking as thought the lines had been memorized before, a robotic sentiment is acted: the eyes and the frozen body. 

This makes me feel as though the whole point of WFD is: eradicated. The entire play is so boring and simple that it obligates the reader to think deeply, ask questions, and leave the reader to conclude what he/she conclude what Beckett wanted to say. The movie cheats the viewer from what WFD signifies. Boring yet interesting, simple but profound, the play must be read before watching the movie, the reader must have his own idea before being spoon-fed what a director thought Beckett was trying to portray. 

A movie in color?  Don't even think about it.  

Incredibly...ridiculous

An incredible thriller; Waiting For Godot, not. Beckett´s play will indoubetbly be placed in my Hall of Shame. Shame isn´t the correct word to describe what I felt while reading the play, but it defenitely will not be parralled with my Hall of Fame. I mean no offense to Beckett´s honorary position in the arts, but this text really wasn't for me. Despite the mind-boggling boredom, Waiting for Godot and The Stranger associated in my mind. Both books try to reflect an opinion on what society and the human-being represent. Both authors try to express their philosophy on the behavior of man, even though each idea is distinct, a message is sent.

Beckett induces perplexity into his message, he bewilders the reader by disorganizing time and reference for the reader. But the hints that he sends such as the names, Adam, Cain, etc., express the human race in a more direct fashion. Beckett underlines the "five more minutes¨ slogan that has stained society. The incapability to act on one´s will. The uselessness of society is highlighted and procrastination is defined as a daily part of society. While Camus, in his novel; places ridiculous events to represent society. His hints are embedded through Monseuir Mersault´s extraordinary actions: random murder, passionate sex but lack of love, addiction. 

It´s always interesting to garner the ideas, conceived by authors that have left a mark in history, but the way Beckett expressed his was bottom-line boring. The repetitiveness is essential for expressing the circular aspect of daily life, but Beckett´s technique proved to be monotonous and unstimulating. 

Ball of Stress

A man who throws society aside, and  lives in the now, is quite frankly a superhuman. I am not saying that the actions of taking the motto "living only once" are impossible. I know plenty of people who have skydived, smoked, and have never fastened their seatbelt. It is perfectly normal for people to care about the future. The problem is the past. Not even Meursault, the messiah of existentialism could could cope with the "series of choices...", choices that would "create stress."

Meursault again schemes the reader into thinking that he is man of no passion, no dwellings on the past:  a person who frankly doesn't give a @#∞¢. Camus tries hard to engage the reader into disliking Meursault: the murder, maman´s burial, and with such disasters no feeling? Such feelings leads the reader to think of Meursault as a psychopath. But suddenly all the choices that Meursault has executed fall hard on his supposedly YOLO lifestyle. 

Once Meursault lands is jail, he dwells on the PAST! He thinks about sex (Marie), true love (maman), and society as a whole (the chaplain.) The chaplain, that tries to persuade Meursault to repent his sins is ousted by Meursault. The first time that the Camus depicts Meursault as infuriated, and not only infuriated with a man, but a man who signifies society. A man of god, the symbol in which the majority of the world strives to express tampers with Meursault´s emotion. Stress can be resembled with Meursault´s situation, a man who realizes that his end is near. A man who realizes that he has snowballed, and for once he is illustrated on his past, and what his future will bring him. 

"Life is a series of choices, creating stress."